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Nadja Verena Marcin was born in Würzburg, Germany, is of Slovak-German descent, and lives and works in Berlin as a visual artist, performance artist, filmmaker, researcher, and lecturer. Her work explores gender, history, morality, psychology, and human behavior through an intersectional analysis of feminism and emotional architecture within theatrical and cinematic contexts.
Through a unique blend of absurdity, surrealism, and bold reinterpretations of motifs from literature, history, philosophy, art, and pop culture, she addresses ecological and human rights issues. Her work creates encounters that provoke reflection, challenge existing norms, and prompt a reevaluation of global paradigms.
Her work has also been featured in group exhibitions at Spazju Kreattiv, Malta ; FORT Biennale , IMPAKT, Utrecht , Ars Electronica , TICKTACK Antwerp , Transpalette Bourges , Gropius Bau Berlin , Ecofutures London , Fridman Gallery New York , Microscope Gallery New York , 5th Moscow International Biennale for Young Art , Middle Gate Geel , ZKM Karlsruhe , and Garage Center for Contemporary Art Moscow She has taught and lectured at institutions including Wellesley College, the International Center of Photography, University of North Carolina at Chapel Hill and Greensboro, State University of Santa Cruz, City College of New York, PI Art Center, and Brooklyn College.
Marcin is represented by Art Claims Impulse in Berlin and AKArt in San Francisco. She is the co-founder and advisory director of KUNSTRAUM in Brooklyn. Research-based interdisciplinary visual artist, performance artist, filmmaker and lecturer creating immersive installations, interactive apps, performances, photography and moving images.
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Zustimmung verwalten. Daniele Buetti, Kunstakademie Münster, Münster, Germany. OPHELIA, Moltkerei e. Werkstatt as part of DC Open, Cologne, Germany P OPHELIA, Nube Gallery, Santa Cruz, Bolivia, curated by Rodrigo Rada OPHELIA, Minnesota Street Project, San Francisco, USA, curated by Amy Kisch P.
Solo Exhibition, The-Solo-Project presented by Jens Fehring Gallery, Basel, Switzerland C Lost in translation, Jens Fehring Gallery, Frankfurt, Germany P. Reise nach Ägypten, a collaboration between Skulpturenmuseum Glaskasten, Marl, Dortmunder Kunstverein, Dortmund, Werkstatt Bleichhäuschen, Rheda-Wiedenbrück, Germany King Kong Theory, MOMENTUM Berlin as part of Month of Performance Art, Berlin, Germany.
Qui Vive? Biennale for Young Art, Garage Museum of Contemporary Art, Moscow C. Post Eden, Art Claims Impulse, Berlin Glitch: Ontological Exhaustions and System Failures, Spazju Kreattiv, Malta C Bruch Stücke II Fracture Fragments II , Art Claims Impulse, Berlin.
Who Owns the Truth? The Ulterior Narrative Cinema, CINEMA TICK TACK, Antwerp C eco-Logix, Kunstraum flat 1, Vienna, Austria. Down to Earth as part of Avtonomi Akadimia, Berliner Festspiele at Gropius Bau, Berlin, Germany Femme Fatale, FAIR presented by Kunstraum LLC, New Art Dealers Alliance, New York Even when the rocks reach out to kiss you, Transpalette — Contemporary Art Center, Bourges, France, curated by Julie Crenn C ISCP: Benefit Auction via Artsy, International Studies and Curatorial Program, New York, USA.
DEW21 Kunstpreis, Museum für Kunst- und Kulturgeschichte, Dortmund, Germany. German Photography Now — Emotion, Drama and Narration, Jinsun Gallery, Seoul, Korea, curated by Sun-Jung Kim C Queering Sex, Human Resources, Los Angeles, USA, curated by Sarvia Jasso The days of this society are numbered, Abrons Arts Center, New York, USA, curated by Miguel Amado WE ARE: Live and Let Die, Nuture Art, Brooklyn, USA, curated by Guillermo Creus C.
Short-term deviation, Elizabeth Foundation for the Arts, New York, curated by Jie Liang Lin in collaboration with Showpaper P As you like it II, Heidi Cho Gallery, New York, USA. Video Performance — Models of Self-Reflection, Kunsthalle Münster, Münster, Germany, curated by Georg Elben C European Attitude, Shanghai Himalayas Museum formerly Zendai MoMA , Shanghai, China, curated by Thomasz Wendland.
Videonale 10, Kunstmuseum Bonn, Germany, curated by Georg Elben Stadt Kunst, Bonn, Germany, curated by Georg Elben C. The Border Pavilion at The Research Pavilion, Venice Biennale, Venice Mythic Age, acinema, Milwaukee.